All Its Charms

All Its Charms is a fearless and transformative reckoning of identity. By turns tender and raw, these poems chronicle Kuipers’ decision to become a single mother by choice, her marriage to the woman she first fell in love with more than a decade before giving birth to her daughter, and her family’s struggle to bring another child into their lives. All Its Charms is about much more than the reinvention of the American family―it’s about transformation, desire, and who we can become when we move past who we thought we would be.

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Keetje Kuipers’ ALL ITS CHARMS is one of the finest books of poetry I know. It springs from the land of the American West like a cottonwood tree or a pronghorn calf and shimmers before us. Her exquisite ear makes each poem strike notes of delight that surprise, and her voice beguiles whether speaking to an invisible unbegotten girl, or seeing ‘the nasturtiums sweating on the vine,’ or hearing a father’s ‘tin pan trembling heart.’ Over and over again the poet sings and causes some bristling elegant new thing to appear before us. It is that ancient impossible magic that charms water from stones and makes art endure. Here is a perfect book of poems.

Steve Scafidi

Keetje Kuipers’ luminous new collection more than fulfills its title’s promise. Kuipers works powerful lyric magic, transforming bodies―human and animal, living and dead―into rivers, trees, molten glass, angels, ‘a cup of coldening cider.’ Landscapes too undergo metamorphoses, ‘the sidewalk grows a golden fur’; ‘magnolias collapse their heavy bosoms.’ Time itself comes alive, ‘the last fleshy hours of another day ripening…’ In voluptuous detail, Kuipers describes her own pregnancy and motherhood. Her breastmilk is ‘ a sticky flower blooming,’ a nursing bra ‘flapping and fearless, one wing taking flight…’ Even when she’s describing death, her images delight, maggots are ‘glossy’ a sparrow’s heart ‘a jewel hidden in haste.’ An awareness of life’s fragility, of the passage of time, runs through these poems, yet the reader feels the pulse of life’s robust insistence. ALL ITS CHARMS is a book of ‘plentitude, mass, sweetness contained.'

Ellen Bass

In ALL ITS CHARMS, the third volume from this remarkable poet, we enter with serious pleasure into an unfolding tapestry of resourceful and intelligent figuration, her gorgeous language tying together elements of the natural world with the glorious ether of the metaphysical. Connecting body to landscape, seaspawn and seawrack to striations of the uterus, baby to the blossom of milk from her breast, Kuipers is a Lucretius of motherhood and sexuality, seeking consolation not for the limit of death, but from the trials of incarnation, tasting their splendor on skin and tangles of hair emanating from love’s body. Her poetry is a garland of milk petalled down her shirtfront, the page of life she’s written on the body. She makes me feel... She makes me feel like a natural woman.

Garrett Hongo

I exited ALL ITS CHARMS begrudgingly, so charmed was I by the world inside its pages. Keetje Kuipers delights in the usually overlooked moments in nature and human nature―the small town drag show, the clear cut landscape with ‘yellow Cat dozers popping up on distant hillsides / like morels to be collected after the first warm days,’ the daughter's spilled juice the speaker wipes with ‘the old plaid boxers of the man I thought I'd marry.’ In these small moments, she locates our big truths. Her vision is original, and her voice―precise, questioning, sensual, wry―is one I'd follow anywhere. This book is a delicious accomplishment.

Beth Ann Fennelly

Keetje Kuipers’ collection charms not with flattery, but more like a good friend who cares enough to tell the hand-to-God truth to your face. This flint-eyed but tender honesty comes across in Kuipers’ minute observations of the American landscape as well as of the pleasures and disappointments of the body. The poems in ALL ITS CHARMS are also bracingly candid about the polarities of parenthood: the movement between joy at new life and fear at the army of small, lurking dangers that threaten it. The language and images may be startling in these pages, but the insights are austere and lay bare a necessary corner of the human world.

Iain Haley Pollock

This third collection from Kuipers opens with an articulate longing: “Every birth—even the wings/ of the caddis lifting from the river// is a shroud—a momentary hunger.” The speaker’s desire to bear a child entwines with the landscape of her abandoned home, a gorgeously described panorama of accidental and intentional death, from a father’s annual hunting slaughter, to children who play kick the can with roadkill... A story of birth and rebirth is not a new story, nor is it always charming. That, perhaps, is its biggest charm.

Publishers Weekly

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